Wayang kulit

Shadow play Indonesian From Wikipedia, the free encyclopedia

 Puppet show by puppeteer leading in Indonesia, Ki Manteb Sudharsono.Is the art of traditional shadow puppets Indonesia which is mainly developed in Java. Puppet Ma Hyang comes from the word meaning toward the almighty one,

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Shadow puppets played by a puppeteer who is also the narrator's dialogue puppet characters, accompanied by gamelan music played by a group of nayaga and song sung by the singer. Plays puppet puppeteer behind the curtain, the screen is made of white cloth, while the lights flashed behind electric or oil lamps (blencong), so that the spectators who were on the other side of the screen can see the shadow puppetfall into the screen.

To understand the story of wayang (the play), the audience must have knowledge of puppet characters whose image appears on the screen.In general, puppets took the story from the Mahabharata and Ramayana manuscript, but not be limited only by the grip (standard), the mastermind ki can also play the play carangan (spin). Some of the stories taken from the Bannerman story.Puppet show has been recognized by UNESCO on November 7, 2003, as a work of astonishing cultural narratives and stories in the beautiful and precious heritage (Masterpiece of Oral and Intangible Heritage of Humanity).  

Shadow puppets is more popular in central and eastern Java, while the puppet show is more often played in West Java Manufacture Shadow puppets made of buffalo leather that is processed into leather sheets, puppets apiece need about size 50 x 30 cm piece of skin which is then carved with the equipment used is made of an iron-pointed steel of good quality. Steel is made in advance in various shapes and sizes, there is a sharp, flat, small, large and other forms each having different functions.But basically, to arrange or make various forms of carving holes are purposely made to decay. Then performed the installation of body parts like hands, there are two connections on the hands, upper arms and elbows, how to connect it with a small screw made of buffalo horn or cow. Handle which functions to move the arm blackish color is also made from buffalo horn material and generally golden color with gold leaf paper that is taped or it could be with dibron, painted with a powder that is melted. Puppet that uses prada, the result is much better, the color can last longer than a bront.•

Leather Puppet Gagrag Yogyakarta• Leather Puppet Gagrag Surakarta• Leather Puppet Gagrag Banyumasan• Javanese Wayang Gagrag Timuran• Puppet Bali• Leather Puppet Banjar (South Kalimantan)• Puppet Palembang (South Sumatra)• Puppet Betawi (Jakarta)• Puppet Cirebon (West Java)• Puppet Madurese (extinct)• Wayang SiamShadow puppeteers who achieved legendary heyday and among others the late Ki Tristuti Rachmadi (Solo), the late Ki Narto Sabdo (Semarang, Solo style), the late Ki Surono (Banjarnegara, Banyumas style), Ki Timbul Hadi Prayitno (Yogya), deceased Ki Hadi Sugito (Kulonprogo, Jogjakarta), Ki Soeparman (Yogya style), Ki Anom Suroto (Solo style), Ki Manteb Sudarsono (Solo style), Ki Enthus Susmono, Ki Agus Wiranto. While the legendary Pesinden is deceased Nyi Tjondrolukito.• List of Figures Puppet• Ketoprak• Ludruk• Wayang puppet• Puppet peopleMastermind is the most important part in the puppet show (wayang prototype). In Java language terminology, puppeteer (barrier) is derived from the acronyms ngudhal Piwulang. Ngudhal means to dismantle or disseminate and piwulang means teaching, education, science, information. So the existence of puppeteers in puppet show not only the aspect of spectacle (entertainment) only, but also guidance. Therefore, in addition to master the techniques of puppetry as an entertainment aspect, the mastermind must be a knowledgeable and able to influence.Gagrag puppet YogyakartaIndonesian From Wikipedia, the free encyclopedia(Redirected from Shadow Puppet Gagrag Yogyakarta)Gagrag Wayang Wayang style Jogjakarta or Yogyakarta is a puppet that has a characteristic shape morphology, pattern inlay, and sunggingan (coloring) is typical. Also in Yogyakarta Gagrag Shadow Puppet show also has elements that is typical, puppet theater (the presentation of the story and its meaning), chess (narrative and conversation), musicians (gendhing, sulukan and props).Typical figures Puppet Yogyakarta• Antasena• Wisanggeni• PunokawanPuppets Gagrag puppeteer Yogyakarta• Incurred Hadiprayitno Ki (puppeteer)• Ki Hadi Sugito (puppeteer)• Ki Suparman (puppeteer)• Ki Seno Nugroho (puppeteer)• Ki Agus Wiranto (puppeteer)• Sagio (Puppet Builder)Gagrag puppet BanyumasanIndonesian From Wikipedia, the free encyclopedia(Redirected from Shadow Puppet Gagrag Banyumasan)
 

Puppet Skin Gagrag Banyumasan is one style of puppetry in Java, which is better known by the term pakeliran, and serves as an art form and used as a vehicle Klangenan to maintain the value of ethics, devotional and entertainment, the quality is always maintained and dealt with seriously by experts who understand the true. Pakeliran includes elements that is, the puppet theater (the presentation of the story and its meaning), Sabet (entire motion puppet), chess (narrative and conversation), musicians (gendhing, sulukan and props).•Populist style BanyumasPakeliran Gagrag Banyumasan, has the feel of a thick as populist character of its people, honest and forthright, and live and thrive in the former residency of Banyumas, and its expression is more free, simple, and straightforward and able to survive until today in the face of changing times, due to gain sympathy and loved people.This is different to other areas pakeliran populist style, which tends to become extinct, especially in areas close to centers of power palace, let alone Wonogiri, Sragen and Karanganyar, where the influence of puppetry as the Sultanate of Yogyakarta Sultan Palace with the founding of the art of puppetry Hambiwarakake Draft Andhalang (Habirandha (1925 )), with Pasinaoun Dhalang Kasunanan Surakarta Surakarta (Padhasuka (1923)) and the early 1920s founded the Pasinaon puppeteer Mangkunegaran Mangkunegaran (DCI), tends to suppress pakeliran populist style of its surroundings, and mejadikan its preservation is a challenge.Gagrag Banyumasan puppetry, gaining influence and have the order or the grip of the art of puppetry Surakarta and Yogyakarta, but has its own characteristics with characterizations Bawor with the song Flower cucumber and gendhing Banyumasan. Art pedhalangan Banyumasan Gagrag is then standardized and preserved by experts in the community pedhalangan Banyumas ganasidi / puppetry Banyumas former residency, which was held in Kawedanan Bukateja April 21, 1979.The development of puppetryAs with other Indonesian art of puppetry, developed since the influence of Hinduism, with the establishment of the Hindu Mataram with fiber Ramayana, the era of 898 AD in Sanskrit with a strong Indian influence, then developed in line with the use of ancient Javanese or Kawi language. Art pedhalangan entering a golden age in the era of Kadiri (1042-1222) in the reign of King Jayabaya (1135-1157), the development of writing and literary works such as fiber Bharatayuda, Hariwangsa fibers, fiber Gathutkacasraya by mpu Panuluh and Puppet Purwa which is the embryo and the development of art puppetry in the archipelago.Age of the sultanateAnother strong influence on puppetry Banyumasan, ie at the time of the sultanate of Demak (1478-1546), then Pajang Sultanate (1546-1587), until the influence of Mataram on Plered era (1645-1677) era Amangkurat Tegalarum which typically have great attention to residency Banyumas, and sent to the Ajibarang Lebdajiwa projected, to further develop the art of puppetry Gagrag Banyumasan.Influence Gagrag MataramInfluence Gagrag Mataram (Surakarta and Yogyakarta) is stronger, especially through the south coastal region, and is known to the art of puppetry Banyumas coastal or Gagrag South Mountain, its influence can be seen up to the range in 1920, and continues to grow through the mastermind Gombong breeds, namely Ki Cerma until with Ki Dhalang Menganti.Gagrag Lor MountWhile the front area Banyumas (from Purbalingga Serayu then along the River, heading toward the West), has its own pakeliran and known as Mount Gagrag Lor, as developed through the mastermind breeds Kesugihan (originally from coastal development) of which dalang Said, and continues to grow until the era dalang Parsa, dalang Sugih. However, that tends not affected coastal dhalang is dalang Waryan of Kalimanah.Up until now remained unknown and sustainable traditional art, namely Gagrag Banyumasan puppetry puppetry of South Mountain and Mount Gagrag Banyumasan Lor (Redi Kendeng).PlayPuppet Gagrag Banyumasan have characteristics in the story that further clarify the role of small people is manifested in the character clown-servants like the story Bawor Dadi Ratu, Petruk Krama and others. Besides that, the puppet Gagrag Banyumasan further highlight the role of youth in the resolution of cases and problems. Heroine Mbarang Lengger story 'which is a continuation play Srenggini Ask Rama is one concrete example that the role of you

as Antasena and Wisanggeni become very central.